Chapter 1

Can We Talk?

Mothers and Daughters in Conversation

My daughters can turn my day black in a millisecond," says a woman whose two daughters are in their thirties.

Another woman tells me, "Sometimes I'll be talking on the phone to my mom, and everything's going fine, then all of a sudden she'll say something that makes me so mad, I just hang up. Later I can't believe I did that. I would never hang up on anyone else."

But I also hear comments like these: "No one supports me and makes me feel good like my mother. She's always on my side." And from the mother of a grown daughter: "I feel very lucky and close with my daughter, and particularly since I didn't have a close relationship with my mother, it's very validating for me and healing."

Mothers and daughters find in each other the source of great comfort but also of great pain. We talk to each other in better and worse ways than we talk to anyone else. And these extremes can coexist within the same daughter-mother pairs. Two sisters were in an elevator in the hospital where their mother was nearing the end of her life. "How will you feel when she's gone?" one asked. Her sister replied, "One part of me feels, How will I survive? The other part feels, Ding-dong, the witch is dead."

The part of a daughter that feels "How will I survive?" reflects passionate connection: Wanting to talk to your mother can be a visceral, almost physical longing, whether she lives next door, in a distant state, in another country--or if she is no longer living on this earth. But the part that sees your mother as a wicked witch--a malevolent woman with magical power--reflects the way your anger can flare when a rejection, a disapproving word, or the sense that she's still treating you like a child causes visceral pain. American popular culture, like individuals in daily life, tends to either romanticize or demonize mothers. We ricochet between "Everything I ever accomplished I owe to my mother" and "Every problem I have in my life is my mother's fault." Both convictions come laden with powerful emotions. I was amazed by how many women, in the midst of e-mails telling me about their mothers, wrote, "I am crying as I write this."

Women as mothers grapple with corresponding contradictions. The adoration they feel for their grown daughters, mixed with the sense of responsibility for their well-being, can be overwhelming, matched only by the hurt they feel when their attempts to help or just stay connected are rebuffed or even excoriated as criticism or devilish interference. And the fact that these pushes and pulls continue after their daughters are grown is itself a surprise, and not a pleasant one. A woman in her sixties expressed this: "I always assumed that once my daughter became an adult, the problems would be over," she said. "We'd be friends; we'd just enjoy each other. But you find yourself getting older, things start to hurt, and on top of that, there are all these complications with your daughter. It's a big disappointment."

Small Spark, Big Flare-up

Especially disappointing--and puzzling--is that hurt feelings and even arguments can be sparked by the smallest, seemingly insignificant remarks. Here's an example that comes from a student in one of my classes named Kathryn Ann Harrison.

"Are you going to quarter those tomatoes?" Kathryn heard her mother's voice as she was preparing a salad. Kathryn stiffened, and her pulse quickened. "Well, I was," she answered. Her mother responded, "Oh, okay," but the tone of ...

 

Anyone interested in the subtle, and sometimes not-so-subtle, ways in which mothers and daughters communicate will enjoy this book. However, narrator Cassandra Campbell gets off to a slow start and is rather boring through the first hour, though she picks up the pace as she moves along. Campbell's challenge is to convey other women's conversations and meanings so Tannen can analyze them, and she does so in a pleasant voice with excellent diction. The problem is that she doesn't vary her tone enough, so the conversations sound too similar. She doesn't need to do character voices, but she does need to be a little more animated. R.I.G. (c) AudioFile 2006, Portland, Maine

 

"The 'metamessages'--implications behind the spoken words--she decodes in You're Wearing THAT? Understanding Mothers and Daughters in Conversation are so familiar, it hurts when you laugh."

 

"The illuminating extracts from mother-daughter colloquies that she cites bring to life both the soothing ointment and the ripped-open scars possible in interchanges on ... age-old sources of conflict for this extraordinarily intense kind of relationship."

 

"Tannen analyzes and decodes scores of conversations between moms and daughters. These exchanges are so real they can make you squirm as you relive the last fraught conversation you had with your own mother or daughter. But Tannen doesn't just point out the pitfalls of the mother-daughter relationship, she also provides guidance for changing the conversations (or the way that we feel about the conversations) before they degenerate into what Tannen calls a mutually aggravating spiral, a "self-perpetuating cycle of escalating responses that become provocations."

 

You're Wearing That? by Deborah Tannen
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